THE
CRIMSON BAT
Creator:
Thomas V. Powers
Characters
Lawrence
Talbot Crieghton (The Crimson Bat)
Eve
Norwood
George
Washington ‘Wash’ Johnson
Commissioner
Warren Sampson
Paul
Wagner
The Crimson Bat is a pulp magazine inspired crime fighter, a
masked avenger in the tradition of Zorro, The Shadow, and other mysterious
justice figures of the pulp era. Like The Black Bat, he is a kind of
doppelganger of the well-known Batman character (who is himself a fusion of
pulp and popular culture mystery men). He marks the foreheads of his fallen
adversaries with his red insignia – as does The Spider, who in turn borrows
this habit from Zorro, who most likely got his inspiration from The Scarlet
Pimpernel. They’re a tradition-minded lot, these masked champions of justice…
In the story, The Crimson Bat goes up against a group of
cultist, aided by criminals, who break into Manhattan Museum, and eventually
steal an ancient Egyptian statue. Much to the hero’s disbelief, there actually
seems to be something supernatural at work. He’s reluctantly convinced to work
with Dr. Paul Wagner, an expert in the occult and lead character of the Doc Warlock stories). The action
concludes in a shadowy cave beneath the Pine Barrens of Long Island.
The Bat is actually Lawrence Creighton, whose father and
uncle were framed by a criminal cartel of businessmen; he’s the second of his
generation to take up the guise of The Crimson Bat, a legendary justice figure.
His cousin Bertram Blessington was the first, and he cleared the family’s name
while Lawrence was still a youth.
The Crimson Bat’s costume in the novella looks like black
whipcord (concealing a bullet-resistant vest) with a short redlined bat-winged
mantle attached to the arms. His mask is a black hood with a facemask part
stylized crimson bat shape. In earlier days, he wore a black hat, facemask, and
flowing black cloak, but now prefers a streamlined outfit.
The Crimson Bat carried twin silver air guns that can be
adapted to many purposes, though he is not against using regular .45
automatics. He has vaguely ninja-like skills, though follows no formal school
of martial arts.
Crieghton’s love interest is Eve Norwood, a young blond heiress
who intuited his duel identity in a previous (as yet undocumented) case. His chief aide is George Washington Johnson,
a black man in his fifties who has worked for Crieghton’s family since Lawrence
was a young teen. They are essentially family, neither having any close
relatives in New York. ‘Wash’ Johnson serves as wheelman for The Crimson Bat as
needed, and occasionally dons a black hood as The Bat’s aide Mr. X.
Police Commissioner Warren Sampson is a friend of Lawrence
Crieghton; an intelligent man who by the time of The Cult of The Faceless Fiend doubtless knows the secret of the
Bat’s identity, but prefers not to confirm it. He and Crieghton have a warm,
somewhat teasing friendship.
The Crimson Bat novella, The
Cult of the Faceless Fiend has been published twice, first in Tom Johnson’s
DOUBLE DANGER TALES #36 (2000), and later reprinted in slightly revised form in
TALES OF MASKS & MAYHEM Volume 3, edited by Ginger Johnson, E-Booktime
(2006).